| Alick Macheso- Lucky Guitarist or Musical Genius? |
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| Music & Dance - Mainline Music | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Tuesday, 06 January 2009 07:21 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Although many Zimbabwean music lovers are agreed that Alick Macheso is the King of Sungura, the Zimbabwean brand of Rhumba, that is as far as the agreement will go. As Masimba Kuchera admits in an article on the Chesopower website, ‘there have been many schools of thought on the (real) strength of Macheso- some arguing about his skills with the bass guitar, some contending that it is his vocals and others proffering his dancing skills, it is generally agreed that the musician is of immense talent.’ When people agree that you are extremely talented but go on to debate hotly about exactly whether your strength lies in theway you walk or the way you run, then that is a mark of genius. You actually put people in a crisis of naming aspects of a phenomenon.
But watching him play with his new band in Bindura in late 1999, well after the album Magariro and just after releasing the second album Vakiridzo, one was not certain if Alick would be anything. After all there were stronger Sungura echoes then from Nikolas Zakaria, Ngwenya Brothers, Chimbetu, Tazvida and others. It happened at Bindura’s tiny Kuyedza cocktail bar, of all places in Zimbabwe. It was on an odd Saturday late afternoon and there were only about fifty people hanging around, killing the hours with the help of a beer. If you looked around you, you could see the chimneys of Trojan mine in the distance and outside, Chipadze Township was taking a weekend nap. On such a day one felt some easy pity for Alick.
^ Alick Macheso performing at an afternoon show in Harare.
Macheso looked nervous and someone in the little crowd constantly called at him, claiming loudly that he was a friend of Macheso’s father. And Macheso did well to wave and smile at ‘the family friend’ in acknowledgement. It was not surprising because Macheso was born indeed around Shamva-Bindura in 1968. Pakutema Munda from the album Magariro and Chitubu from Vakiridzo, seemed to touch the audience and suddenly the rude crowd swelled in size. Apparently they were coming into the bar for free! Crowd and band warmed up to each other and something in Zakaria Zakaria, on the lead guitar, seemed to burst open and he moved backwards and forward and the crowd liked it too. His resemblance with Nikolas Zakaria was awesome and if Macheso had picked a quarrel with Nikolas, why was Zakaria Zakaria here with Macheso, the Bindura revellers must have wondered.
All that in sharp contrast to Macheso’s current shows at Pamuzinda or the Chitungwiza Aquatic complex. Here people raise their arms to Macheso, wanting to embrace the man, his song, his dance and band, to preserve them in a securely sealed envelope for the sake of memory. He obviously wouldn’t quite fit into the tiny Kuyedza bar back in his Bindura. He has not only grown. He has become a phenomenon.
Listening to Upenyu Hwemunhu, you sit back in the kombi, and feel very private and secure. Indeed Upenyu hwemunhu hunozivikanwa nemurarami wahwo- only the individual really knows where his/her life is. You want to laugh and cry, too, because in these moments of hardships we have all done many shameful things just in order to get to the next day.
3.26 Copyright (C) 2008 Compojoom.com / Copyright (C) 2007 Alain Georgette / Copyright (C) 2006 Frantisek Hliva. All rights reserved." |
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From the Picture Archives
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Two Times a NAMA. Dancer, Natalie Bradbury, was one of four artists who took home two awards at the 9th NAMA Awards held at the 7 Arts Theatre in Avondale on 20th February 2010.
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By Memory Chirere 




