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Watching Baba Charles and Mai Olivia Charamba perform at the Artists Supporting Artists Concert on 7th November I sensed that something was different. I have watched them perform numerous times before and I could feel that this was not the same. Something had changed. Something was better.
It wasn’t the songs themselves, which were mostly old favourites including Vanhu Vanotaura, Africa Restore Identity and Zvanga Zvakanaka. It was in the delivery of the music.

^ Baba na Mai Charamba perform at the Artists Supporting Artists Concert, Harare, 7th November 2009.
There was a lot more energy, a lot more choreographed dance routines, all of which got the crowd really excited. This is wine that has matured well with time.
It reminded me of Tuku shows. When the renowned maestro puts down his guitar to dance, the crowd goes wild. When he pulls out unlikely moves from his close to 60-year-old body it drives the audience delirious.
As Mai and Baba Charamba jumped up and down to the beat I couldn’t help feeling that it’s time their music went international on a really big scale. This was the sort of stuff that could entertain a crowd anywhere in the world.
- Fungai Tichawangana
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